Ever since President Truman invoked the words "national security" to launch the U.S. side of the cold war, government officials have used the phrase to explain, justify, or excuse executive actions that were dubious, illegal, or, as Senator Sam Ervin said during the Watergate hearings, "on the windy side of the law." National security does not simp

When President Bush promoted shopping as a patriotic duty, the American culture of consumption hit a new low. But a quiet revolution is growing in the developing world and in a new generation of Americans, fighting the advance of the shopping malls and the desolation they leave behind.
Written by one of the most insightful critics of American commercialism, "The Business of America" probes the forces that have transformed citizens into consumers eager to take as much as they can from the planet. From on-line shopping to spectator sports to the cash-and-carry ethos of political campaigns, Saul Landau decodes the subtle ways in which advertising images tell us to correct our inadequacies with more things: SUVs, credit cards, air conditioning, video games.
The winds of change are blowing, Landau shows, from resurgent student protests for underpaid janitors to the "Group of 21," the developing countries that stopped the World Trade Organization dead in its tracks in 2003. Eschewing nostalgia for a simpler time--a less-interconnected world that can never return-"The Business of America" shows how we as citizens can regain our identities, stripping away the plastic overlay of consumerism.

"Holds many surprises for the reader who has seen the Cuban reality . . . only through the distorting prism of propaganda." -The New York Times Book Review, 1967 On December 31, 1958, Lee Lockwood, then a young photojournalist, went to Cuba to cover what looked to be the end of Batista's regime. He arrived the day before Fidel Castro took power and spent a week canvassing the island before finding the victorious leader. Castro immediately took to Lockwood and over the next decade invited him back many times, granting him special access to his inner circle and free rein to explore the island without the usual restrictions imposed upon American journalists. In 1965, Castro granted Lockwood a rare, in-depth interview but then missed appointment after appointment. Days turned into weeks turned into three interminable months, as Lockwood, like many journalists before and since, waited for Castro. But it was worth the anticipation, climaxing in a marathon seven-day interview that covered everything from racial issues in America to the Cuban Missile Crisis. It remains to this day one of the most penetrating portraits of the Cuban leader. Originally published in 1967, Lockwood's interviews and observations are now republished by TASCHEN alongside hundreds of photographs covering both the weeks Lockwood spent traveling with Castro and the years he documented Cuba's transformation throughout the '60s. From military encampments in the Sierra Maestra mountains to Havana street life and political rallies, many of these color images have never been published before. A foreword and afterword by Latin America expert Saul Landau contextualize Lockwood's work at a moment in history when U.S.-Cuba relations once again take center stage.

Saul Landau is an internationally known scholar, author, journalist, poet and activist. An Emmy-award-winning film maker, he does frequent radio and TV shows, and his work on human rights and Latin America have won him acclaim the world over.This, his latest book, is a scathing account of George W. Bush's world before and after the 9/11 terrorist attacks that will appeal to anyone who is disenchanted with the cynicism of Bush's government, and the blatant imperialism U.S. international policy -- or those who just want to learn about what's happening in US politics.Landau covers the topical and controversial issues -- from terrorism and US foreign policy to Bush's wondrous election victory; from Enron, Chile and Pinochet to Cuba, the Middle East, the IMF, the environment and sexual and cultural politics.He delves into the erosion of civil liberties and the proliferation of empire under the guise of pre-empting the scourge of terrorism. Landau reveals how Bush protects "his" terrorists -- those who perpetrate violence against Castro s Cuba, and to whom he owes his presidency. He also examines how Bush has appointed former officials to high level posts in his cabinet despite their membership in a conspiracy to sell weapons of mass destruction to Iran in the 1980s.In "declassifying" Bush s Empire, Landau dissects a post-9/11 world where deference to patriotism obliterates debate in Congress and the media. How can the notion of empire happily co-exist with the notion of a republic? In times like these, as dissenting voices are stifled and the public are denied access to the facts about their own security, Landau shows how democracy itself is under threat. He asks whether the already fragileworld economy can survive in the new "security" culture of the post-9/11 world.This is an entertaining read from one of America's foremost cultural and political commentators. Above all, Landau makes a convincing case for the necessity of activism -- the book is not only funny but is also a ringing call for citizens to participate in making their own history.-- Major publicity campaign and guaranteed review coverage -- Advertising in The Nation, Mother Jones, The New York Review of Books, Harpers magazine and UTNE reader-- West coast author tour

Stark is an endangered species. He's the last Jewish private detective in the south Bronx and his days may be numbered. It's the summer of 1965: the Yankees are making another pennant run, the war in Vietnam is heating up, hemlines are rising and the old neighborhood is changing. These days it's easier to stumble on a mugging than to find a good bagel. Stark is not a tough guy. In the trade, he's what's known as a peeper. His business is adultery and his weapon is a camera with a long lens not a snub-nose revolver. But Stark's life is beginning to unravel. His wife left him, his secretary hates him, his mother wants to mother him, he can't shake his shrink's voice from his head and he's got a strange pain in his chest. Then things go from bad to worse. He witnesses a shocking murder and suddenly Stark goes from being the hunter to the hunted, as he races through a decaying world of bookies, transvestites, loan sharks, slum lords and thugs for hire. "Stark in the Bronx" is the dazzling first novel by acclaimed historian Saul Landau. A kind of comic noir, Landau's atmospheric novel is both thrilling and hilarious: imagine the "Maltese Falcon" narrated by Woody Allen. Praise for Saul Landau and Stark: "Saul Landau, like the narrator of 'The Great Gatsby, marvels at how the rich so joyously make messes secure in the knowledge that others will clean up. But what if, one day, they don't?" -- Gore Vidal "You'll believe him, laugh with him, weep and get off your ass." -- John Berger, author "Ways of Seeing"

When President Bush promoted shopping as a patriotic duty, the American culture of consumption hit a new low. But a quiet revolution is growing in the developing world and in a new generation of Americans, fighting the advance of the shopping malls and the desolation they leave behind.
Written by one of the most insightful critics of American commercialism, "The Business of America" probes the forces that have transformed citizens into consumers eager to take as much as they can from the planet. From on-line shopping to spectator sports to the cash-and-carry ethos of political campaigns, Saul Landau decodes the subtle ways in which advertising images tell us to correct our inadequacies with more things: SUVs, credit cards, air conditioning, video games.
The winds of change are blowing, Landau shows, from resurgent student protests for underpaid janitors to the "Group of 21," the developing countries that stopped the World Trade Organization dead in its tracks in 2003. Eschewing nostalgia for a simpler time--a less-interconnected world that can never return-"The Business of America" shows how we as citizens can regain our identities, stripping away the plastic overlay of consumerism.